This painting by Rembrandt was found unfinished in his studio after his death. It depicts the moment in which Simeon received the Infant Jesus into his arms, and speaks his Nunc Dimittis “Now let they servant go in peace” (Lk. 2:26-29). In other words, he seems to be saying, I can die now “for my eyes have seen thy salvation.” We can surmise that this child, of an obviously poor family, was left to the ministrations of the elderly priest who was probably deemed to be too frail to be of much use in the business of the Temple, but it was the seemingly worthless old people, Simeon and Anna, who recognise the Messiah and Saviour in the Child. In this painting, the sightless Simeon gazes inward to an inner vision. At last he is comforted; he can die now because the Saviour has come. Anna, too, is gazing inwards. On both faces there is peace but in Simeon’s case there is also pain as he speaks of the conflict this Child will bring and of the sword that will pierce Mary’s heart. (Lk. 2:35). The light shines on the Baby and on Simeon; Anna in the shadows adds to the feeling of mystery. Our eyes then turn to Simeon’s hands. They are praying hands, but also the arthritic hands of an elderly and apparently useless person. We see similar hands in many of our own elderly. There is an atmosphere of sacred solemnity in the whole painting. This pivotal moment in the history of the revelation of Christ is captured by Rembrandt in all its depth and ineffable wonder.
Sr. Brigid McNally
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